17:40:13 [weezzee] IM HAXOR 😎️ 17:44:36 [weezzee] NOW ITS TIME TO WATCH THE MASK ON REPEAT AND MEMORIZE ALL THE LINES SO I CAN BECOME MORE LIKE THE MASK IN MY DAY TO DAY LIFE

The law locks up the man or woman
Who steals the goose off the common
But leaves the greater villain loose
Who steals the common from the goose.

The law demands that we atone
When we take things we do not own
But leaves the lords and ladies fine
Who takes things that are yours and mine.

The poor and wretched don’t escape
If they conspire the law to break;
This must be so but they endure
Those who conspire to make the law.

The law locks up the man or woman
Who steals the goose from off the common
And geese will still a common lack
Till they go and steal it back.

https://www.onthecommons.org/magazine/“stealing-common-goose”/

Good:

• The supporting cast
• Watching the Entity do its thing
• Rome, Austria, desert segments
• The lead bounty hunters’ introspection about taking sides
• The subtext about trust of technology and its role in parsing everyday reality

Bad:

• The entire Venice segment. Cringe.
• Further to above, clunky plotting. It’s the real villain of this film. Things feel strained in a way that Fallout never did.
• Gabriel. Who cares?

You’re playing into corporate’s hands by assuming audiences cannot relate to a narrative if the actors don’t resemble them in some fashion. Their interests are served by having you buy into such a notion. They run social media sock-puppet accounts espousing it everywhere you care to look (like throwing spaghetti at a wall, if we just talk about it enough maybe some of it will stick!). The problem is that the notion is bullshit.

I love The Wire. It’s the best show about policing. I have nothing in common with black Americans barely living above the poverty line, though. Not behaviour, not worldview, not skin tone, not dress sense. Yet these characters make up three quarters of the cast; and I empathised and sympathised with them all the same. By the same token Lord of the Rings has a broad, enduring reach well beyond the Anglosphere.

I think much of the fuss over representation in modern media comes down to content producers trying to tailor the consumer to their product. They want us preoccupied with it. And when they’re caught out or backed into a corner on the matter, rather than fess up and admit they have industrial and institutional pressures to deal with (actor employment, Blackrock ESG gamification, etc), they suggest critics are racist instead. Perhaps that really is a better strategic approach than a policy of honesty and respect for the public’s intelligence. But it doesn’t make it true.

Don’t mind me honey, just takin’ out the gizmodo!

Anderson’s next film will be a pop-up children’s book smelling of clove cigarettes, flat champagne and snow, with a dedication in braille.

[Edit] Set in Franklin Gothic Light.

Illusionist, Michael.