Last Jedi:
Leia gives Rey a hand held tracking device and tells her that with it she will be able to find them wherever they go.
In THE SAME SCENE, they come out of Hyperspace followed by the First Order and claim it’s impossible to have followed them.
The tracking plot point is not mentioned again.
(p.s. A similar tracker was placed on board the Falcon in the OG Star Wars to lead the Death Star to the rebel base on Yavin 4).
Last Jedi
That’s cheating, none of that movie made any sense whatsoever.
The plot point is that you cannot be tracked while in hyperspace. Something the first order was able to do so they could follow them to their destination instead of waiting until they are out of hyperspace to pursue them.Trackers are well established in the universe otherwise. They just only work outside of hyperspace.
Last Jedi was so angering that it killed all desire I had for watching rise of Skywalker, rise was the only star wars movie I’ve ever skipped, and still haven’t watched.
When instead of sacrificing ackbar, they kill him in the background and we’re supposed to care about the sacrifice of this random purple haired woman we’ve never ever met before and just shows up to die? Should have been ackbar or Leia or even wedge. And one thing I liked about TFA was the budding relationship between Rey and Finn, they had great chemistry. Then suddenly you separate them for the whole second movie, add a second love interest that’s awful and for some reason Rey likes Kylo? The fuck??
I feel really bad for Rise of Skywalker, it was really in an impossible position.
First, Last Jedi painted them into a fucking corner. It was like nobody told Johnson he was making the middle part of a trilogy.
Second, what little structure the trilogy had was 7 was about Solo, 8 was about Luke, and 9 would have been about Leia, but then Carrie Fisher up and died. :(
They had to really scramble on the 3rd one and losing the original writer/director didn’t help. Abrams had to come in after 8 shit the bed and Fisher died and tried to make the best of it…
In The Matrix, humans were used as batteries. The energy requirements needed by a body to sustain itself outweigh feeding it to extract energy. It would’ve been more efficient to burn the food directly instead of feeding it to people.
In the original script, they were used for processing power, but the C-suites made them change it because they feared spectators wouldn’t understand.
More like they changed it because the C-suite didn’t understand
They would have made poor processing units
Kinda like The Attic in Dollhouse
That’s really interesting but I think that suffers from a similar issue because I’d assume the processing power needed to run the matrix alone would be much greater than 1:1 per human.
They needed special kind of problem solving computation, that only human brains can do. Like generating text or something.
That’s why it’s called sifi… Is based loosely on the myth that humans only use 10% of their brains.
Sience, bitches!
Originally it was humans being used for their brains as processing units, but they thought thatd be too confusing for audiences so they went with batteries.
The biggest one for me is in Butterfly effect, when he goes back in time and gives himself the scars, it goes against everything we learned about time travel in that movie. If he did that he would have had the scars all along, they would not have appeared out of thin air, also the timeline would have diverged there.
In the same vein, in looper where they start crippling the past version of a person and the future one who is running away from something gets starts stumbling more and more until he can’t walk, but the first few hundred meters he still made somehow.
But that is internally coherent from what I remember. I.e. time always works that way, changes in the past are propagated, and time travelers get the effects sometime after it.
Ah maybe it is. I don’t remember it very well anymore. Then it wouldn’t be a bad scene and more of a bad overall setup.
Yeah. It is consistent with the time travel rules in Looper, and the rules in Looper are just kinda silly.
It makes me sad because there’s no real need for it - the plot to Looper would still have worked without the silly bits.
kingsman movie, first one. he did some parkour in the beginning to get away front bullies, then never again.
lessons in chemistry. crazy contraption to feed the dog, then never again anything like it.
Those scenes are just there to establish that he’s capable, intelligent and talented in the ways the agency needs, so it’s plausible they would recruit him. Never-mind that they also establish the way he looks at the world and approaches problems which is then forgotten immediately.
A lot of scenes are just thinly veiled commercials - why are we spending so much time looking at the front of a brand-new car the characters are getting into? It’s always awkward and takes away from the scene.
The ending to Castle. A series that went on for eight seasons, where they were given several warnings about how the actors (who didn’t get along) might quit and challenge production, and then it happens, and instead of preparing a proper ending or deciding to recast Beckett, they had the characters win against the mafia, then randomly die because the writers are absolutely obsessed with cliffhangers, then randomly be brought back to life, then randomly turn it into a Wizard of Oz type of ending with kids we’ve never seen before, all because they stalled writing an ending until the very last moment. As much as people blame Stana Katic for leaving and throwing a wrench into things, you can’t say the writers didn’t have some kind of hand in how things turned out. Every possible thing that could’ve fixed the show was voluntarily ignored.
Worth it for this:
I like to think this is their way of confirming the two universes are canon and that the characters are subconsciously aware.
Huh, I might have to watch that again. It was one of my favorite seres, but back then I was stuck watching on the networks schedule, so I never finished it
Lost. All of it.
Abed:
It’s the first season of Lost on DVD.Pierce:
That’s the meaning of Christmas?Abed:
No. It’s a metaphor. It represents lack of pay-off.[…]
Abed:
I get it. The meaning of Christmas is the idea that Christmas has meaning. And it can be whatever we want. For me, it used to mean being with my mom. Now it means being with you guys. Thanks, Lost.Frustrated they never showed the polar bears backstory including his work as a scientist with a gambling problem and a fractured relationship with his son.
Walt?
Pawse…Breaking Bear?
The scene where Al Pacino gets slapped by a big black guy wearing only a cowboy hat and a jockstrap in Cruising (1980)
Claudette:
He’s always bugging me about my house. Fifteen years ago, we agreed, that house belongs to me. Now the value of the house is going up and he’s seeing dollar signs. Everything goes wrong at once. Nobody wants to help me, and I’m dying.
Lisa:
You’re not dying, mom.
Claudette:
I got the results of the test back. I definitely have breast cancer.
Lisa:
Look, don’t worry about it. Everything will be fine. They’re curing lots of people every day.
Claudette:
I’m sure I’ll be alright.
Using The Room is cheating. There are only, like, two scenes in the entire movie that make sense according to the plot.
And also, I would have probably gone with the playing catch (with a football, I think) in tuxedos scene.
This Scene from Designated Survivor. I’m still chuckling when thinking about it.
😂
In Rock ‘n’ Roll High School Forever, the scene where they go over to someone’s house and pretend to worship their refrigerator doesn’t further the plot or character development in any way.
Drop the scene from deadpool and wolverine where they chop up a hundred deadpools. It’s cheap cgi at that. The animations at the end were pulled straight from a video game
The Office, Season 6, episode 20, “The Leads”. All the characters in this episode always seemed to me like they had a different personality for just this one episode. It really stands out IMO.
I was completely on Michael’s side through that whole story. When Phyllis called him numb nuts, I think any other manager would have fired her ass. But they treat Michael like shit sometimes cause he’s so forgiving.
Also after the Michael Scott paper company when Phyllis is crying that Michael claimed they were family but went after their customers, yeah Phillis? And what did you guys say when Michael treated you as family? You scoffed at him and brushed him off. So fuck you. Also hate how when you get a new customer you “got a new customer” but when you lose a customer it’s “they STOLE the customer”. There’s no stealing here buddy, just a better salesperson
Looper when they’re “torturing” the one guy and his body parts are disappearing one after another.
The whole Looper premise doesn’t make sense.
Criminals in the future send people back in time to get whacked. If you get an abnormally large payout, that means you whacked your future self and are now retired.
Why have someone kill themselves with a large payoff? Why retire them? If they’re retired in the future, why have them killed?
You have present day hitmen, A, B, and C. Future victims, a, b, and c.
A -> a, B -> b, C -> c results in stupid large payouts and retired killers.
A -> b, B -> c, C -> a has normal payoffs and no retirements.
Still doesn’t explain why you wanted a, b, and c dead in the first place.
Looper is a great LOOKING movie, those shotguns were on point! Just don’t go thinking about it for more than 5 minutes.
Their concept of time travel is definitely unorthodox compared to other time travel movies. One of the main characters literally said not to think too much about it.
Everything else was pretty much explained by the protag.
He did mentioned that his line of work doesn’t attract forward thinking people. This is quite realistic, I mean, have you seen how a lot of people (and companies) sacrificed long term benefits for short ter ones? It’s also posible that they think they can beat that system.
Their future selves are killed to tie up loose ends. The change in power dynamic with Rainmaker’s takeover definitely plays a role. This is actually a common trope in crime dramas (and probably also in real world).
It definitely is not a perfect movie, but it’s a damn good one to me. I definitely think Joseph-Gorden Lewitt and Emily Blunt lack chemistry, and the sex scene was forced, but I guess it’s somewhat realistic someone living in a farm out of nowhere all by themselves can get so horny…
The part that pisses me off. “We can’t kill people in the future because the forensics are too good.” Then armed men come for him in the future. They can’t kill him or they’ll get caught, why are the guns a threat?
Can still shoot him? Could be stupid and kill him anyway?
Still sucks to die even if they get caught
I didn’t like that movie, but do people really analyse movies like this as their watching them? I don’t usually unless I’m really bored, or afterwards if I really liked it.
I’m trained in literary analysis and criticism, so, yeah, I’ll sit there thinking “well, lets see how they explain this…”
The best fiction actually does.
Have you watched Primer?
Primer is excellent, and a great double feature with The Fountain.
The #1 thing to know about the Fountain though is that it’s super hard to get unless you read the companion graphic novel.
To clarify, do you mean it wouldn’t make sense that his body part would dissapear as they were severed in an alternative past. Or do you mean it doesn’t belong on the plot/add to the story?
Not Op, but…
Spoiler for the torture scene in Looper
At the start of that scene, they’re inflicting harm that would still allow the dude to do everything he’s done so far, just scarred. And the scars are appearing on his future self. It makes a kind of weird sense, if we stretch our imagination.
But they cross well past anything reasonable into injuries that would have just made anyone’s past self decide to retire and hide out in the woods in Florida.
It made no sense at all by the end, that his future self was somehow still working for them.
The first. Those injuries were done decades ago, and yet they are just appearing now to the surprise of the character.
If that’s how the time travel “works” in this universe somehow, then Bruce Willis disappearing at the end contradicts this.
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